Miyama , a small town in Kagoshima Prefecture , is home to the sophisticated and beautiful Satsuma ceramics which have over years of history in Japan. Its origins date back to the Japanese invasion of the Korean Peninsula in the 16th century when after the last battle, the 17th Shimazu lord of Satsuma present day Kagoshima Prefecture returned with approximately 80 Korean potters. The largest number of potters settled around Naeshirogawa , current known as Miyama town. There are over kilns in Kagoshima Prefecture , one of the largest producers of ceramics in Japan. However, the most popular and well-known for their originality as well as preservation of traditional techniques handed down through the generations is the pottery of Chin Family. Located in the tranquil outskirts of Miyama town, the Chin Yukan kiln is nearly hidden behind a forest of green trees and traditional stone lanterns, welcoming its visitors with a quiet, unpretentious atmosphere. Once you walk up a path lined with dense pine trees , you enter a peaceful and serene place where the only sounds you hear are chirping birds and wind bells swaying slowly in the windows.
Satsuma Rebellion: Satsuma Clan Samurai Against the Imperial Japanese Army
On a muddy field outside Kagoshima on September 25, , the feudal system that had dominated Japan for years died, not with a whimper but with a defiant roar. At 6 that morning, the 40 remaining warriors of the last traditional samurai army in Japanese history rose from their foxholes, drew their swords and charged into the guns of the 30,man-strong imperial army. The glue that held that structure together was the military caste that served the daimyo: the samurai.
That system began to come apart in , when U. Determined to prevent future humiliations, Japanese leaders decided that they needed a modern army equipped with the most up-to-date weapons, trained by the best officers of the day: the French and Germans. In , the imperial army was reorganized as a force of 46, conscripts from every social class.
We offer this fine antique Japanese Meiji Satsuma Kyoto lidded teapot decorated with a dragon curled between eleven Immortals and dating between and.
One side decorated with a seascape the other a floral design. Signature to the base along with the imperial mon, also, its original shop label. The Koro and lid is in undamaged condition. Size approx. Very attractive. You can find more items of interest and purchase through our website, using all major credit cards: please visit: www. Declaration This item is antique.
Japanese Porcelain Marks
By adapting their gilded polychromatic enamel overglaze designs to appeal to the tastes of western consumers, manufacturers of the latter made Satsuma ware one of the most recognized and profitable export products of the Meiji period. The precise origins and early innovations of Satsuma ware are somewhat obscure;  however most scholars date its appearance to the late sixteenth  or early seventeenth century. Satsuma ware dating up to the first years of the Genroku era — is often referred to as Early Satsuma or ko-satsuma.
Given that they were “largely destined for use in gloomy farmhouse kitchens”, potters often relied on tactile techniques such as raised relief, stamp impressions and clay carving to give pieces interest. The intense popularity of Satsuma ware outside Japan in the late nineteenth century resulted in an increase in production coupled with a decrease in quality.
We offer this superb pair antique Japanese Meiji Satsuma vases decorated with ladies in various poses set with panels containing landscapes dating betwee.
Throughout the seventeenth and eighteenth centuries, and most likely well into the nineteenth century, the ceramics made in Satsuma were as different as it is possible to imagine from the minutely decorated pieces illustrated here, but local tradition relates that at some point a group of potters was sent to Kyoto to study the art of enameling. The earliest known enameled Satsuma wares, probably dating from as late as the s, bear a passing resemblance to much earlier pieces produced in Kyoto, suggesting that there may indeed be some connection between the two.
The Japanese displays at the Paris Exposition of included examples of what would later be called Satsuma ware.
Antique Japanese Satsuma Lamp
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Satsuma is a style of Japanese earthenware that was produced in Satsuma, Osaka, Kyoto, Kobe, Kagoshima and Tokyo. Satsuma vases often come in pairs and.
A large sized Imari porcelain tripod censer decorated with motifs of peonies, wonderfully drawn karashishi or Chinese style lions, dragons,and phoenixes. Large censers are often used in Buddhist temples, where extra censers would be used during ceremonies. Age: Edo Period. Size: Height 7″ Diameter Measures 6. Overall good condition. Minor gilt loss.
Item was passed. A Satsuma wine ewer, Japan, late 19th century, dragon spout and handle, design of the Hundred Buddhist. Free shipping for many products! Buy online, view images and see past prices for Large Japanese Satsuma Vase. Invaluable is the world’s largest marketplace for art, antiques, and collectibles. Shop antique and modern more asian art, objects and furniture and other Asian furniture and art from the world’s best furniture dealers.
White Satsuma vase, undecorated
The origins of Satsuma Yaki date back to the 16th century. The local feudal lord, Shimazu, returned from the Korean peninsular with some potters who helped to get things started. The wonderful surroundings of Kagoashima have contributed greatly to the development of this ware during its long history spanning some years. During this time, the tireless enthusiasm of the local potters has resulted in a number of original developments, which have given rise to a number of individual styles that are still in production today.
Karatsu ware, Japanese ceramic ware of Korean origin produced in Kyushu. The actual date of production is thought to be sometime during the first half of the 16th.
Share best practices, tips, and insights. Meet other eBay community members who share your passions. After scouring the internet …. Go to Solution. Maybe Asian Art Forum time? View solution in original post. I am slightly bothered by the crackled glaze on the base But I’m no expert, and my opinion on that isn’t really worth anything. The crackling looks real, it is also inside the vase.
Satsuma, a city in Japan, has special meaning to collectors. Warriors and gods often are shown. The inside and outside of bowls have similar overall decorations. Colors used were beige, green and other muted shades, often with added gold decoration. Styles changed about to , when art nouveau and art deco designs — especially with pictures of irises — became popular.
Solved: After scouring the internet . Am I correct in believing this is a Japanese Satsuma Mille Fleur vase from the Meiji period ()?
Satsuma vases often come in pairs and are elaborately decorated with gold leaf and crackled glaze. Satsuma vases generally depict Japanese themes including scenes of court life, legends and artistic values. Examine the mark on the bottom of the Satsuma vase. Oftentimes, Satsuma markings will have gold Japanese characters on a red background with a gold outline surrounding the red background; the entire marking may be in a square or rectangular shape. If the marking is rectangular in shape with a separate circular crest above the rectangle, the marking may indicate Gyokuzan, in which case the vase likely dates from to — the Meiji period.
One such character indicates “bizan,” which translates to “beautiful. Look for a marking with gold Japanese characters on a black background in a square form, with gold lining the square. This marking may indicate that the vase was produced by the Kinkozan family; the Kinkozan family’s primary production period was from to Certain websites, such as gotheborg. If the bottom of a vase is marked “Royal Satsuma,” it is not an original Satsuma, as real Satsuma vases do not have English markings.
Ellis Roanhorse has been writing professionally since By: Ellis Roanhorse Updated April 12,
Cup and saucer
Heavy crude reproductions from China carry a potentially confusing Satsuma mark. Although there are no vintage comparable marks, the appearance of “Satsuma” in the new marks implies the new pieces are old. Satsuma, like Staffordshire, is a collective name given to a fine quality lightweight pottery developed in Japan.
Nov 15, – Description A pair of late 19th century Japanese Satsuma Description A pair of Japanese Satsuma ware vases dating to the Meiji period c
These three wonderful Satsuma pieces, dating from the late nineteenth to early twentieth century Meiji period were presumably made and painted by the same potter since their decoration is fairly consistent. The Manchurian cranes that feature on all three pieces symbolised longevity of life, while the chrysanthemum was a symbol of purity. The sixteen-petal chrysanthemum crest was also used by the Imperial House. In the same vein, the peony symbolised Imperial power, while the pine was symbolic of strength, plum blossom the sign of womanhood and cherry blossom the symbol of the Japanese people.
Satsuma ware is a Japanese faience, which is generally crackled and has a cream, yellow or grey-cream colour and is often decorated with raised enamels. At the end of the sixteenth century, after failing to conquer Korea, the feudal lord Shimazu Yoshidiro returned to Japan with twenty-two Korean potters and their families. These potters settled in Kushikino and Kagoshima formerly Satsuma province on Kyushu.
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Satsuma ware (薩摩焼, Satsuma-yaki) is a type of Japanese pottery originally from Satsuma Satsuma ware dating up to the first years of the Genroku era (–) is often referred to as Early Satsuma or ko-satsuma. The oldest remaining.
Enter your mobile number or email address below and we’ll send you a link to download the free Kindle App. Then you can start reading Kindle books on your smartphone, tablet, or computer – no Kindle device required. To get the free app, enter your mobile phone number. The popularity of Japanese ceramics in the West caused a vast and delightful variety of wares to be made in the late nineteenth century for export. Colorful Imari porcelain in deep blue, orange-red, and gold, Fukagawa porcelain in imaginative designs, as well as the softly colored Satsuma earthenwares, are the best known of the old Japanese exports, shown here in hundreds of variations created by skilled decorators.
This new edition has an updated values reference and additional items shown in each chapter, especially early Imari wares from the period c. Also presented are the exotic Sumida and Banko wares, relative newcomers to the field whose popularity has grown steadily over the last ten years. Makers’ and decorators’ marks, unusual shapes, design variations, and hard-to-find examples are all shown in color photographs with identifying captions and concise text.
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Uniting Two Cultures Through Satsuma Ceramics from Kagoshima
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Declaration: Japanese Satsuma Koro And Lid Dating To The First Half Meiji Period has been declared an antique and is approved for sale on.
Even if you don’t speak, read or write Japanese, the markings on pieces of Satsuma pottery can be quite easy to decipher, providing that you follow some simple rules. To start, the markings are read in the opposite direction to English. Start at the top right hand corner and read down. If there are 2 lines of Kanji characters, move to the left and start at the top of the next line, reading downwards again.
Many of the Japanese makers marks on Satsuma porcelain or pottery are simply the name of the person who made the item, or a generic marking such as “Dai Nippon Satsuma”. You may also find that there are no main markings, only Japanese numbers. These types of markings are more common on larger vases that form part of a set. The piece may be marked as “Left 3”, meaning that it should be positioned as the third item on the left-hand side.
Obviously, a vase like this would be part of quite a large set.